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targets for film critics, who complain that it's a lazy way to transmit information to the viewer. Lee So-yeon makes her slightly thin character memorable through considerable screen presence, while Jang Hyun-seong of independent films Nabi and Rewind gives the performance of his career. It is a tour de force performance, sending shivers down and up your spine, comparable to Angelica Huston's Greek tragedy-like breakdown that climaxes Stephen Frear's Grifters. However, it soon became clear that the "meat" of the film's horror was to be found in its unflinching exploration of psychology of the central protagonist, Sun-jae, as a divorced single mother full of unacknowledged emotions and desires.

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Min-jae ( Yu Ji-tae formally trained in mountain climbing at Switzerland and in awe of the charismatic Do-hyung, is joined by the bookish navigator Young-min (Park Hee-soon the rather thuggish but sharp communications expert Seong-hoon (Yun Je-moon the genial cook Geun-chan (Kim Kyung-ik) and the. And speaking of people who matter to her, her family is absolutely wonderful in its characterization. It was clear from what he brought to our screens that how our bodies move as isolated atoms or in concert with other bodies was foremost in his mind. It's total shinpa!" And yet there's a world of difference between this film and a work like The Letter. Overall, much of Dongmakgol 's power must be attributed to its director Park Kwang-hyun, despite Jang Jin's unmistakable stamp.

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